Frederick William Faber
O! say can you see by the dawn’s early light,
What so proudly we hailed at the twilight’s last gleaming,
Whose broad stripes and bright stars through the perilous fight,
O’er the ramparts we watched, were so gallantly streaming?
And the rockets’ red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there;
O! say does that star-spangled banner yet wave,
O’er the land of the free and the home of the brave?
On the shore dimly seen through the mists of the deep,
Where the foe’s haughty host in dread silence reposes,
What is that which the breeze, o’er the towering steep,
As it fitfully blows, half conceals, half discloses?
Now it catches the gleam of the morning’s first beam,
In full glory reflected now shines in the stream:
‘Tis the star-spangled banner, O! long may it wave
O’er the land of the free and the home of the brave.
And where is that band who so vauntingly swore
That the havoc of war and the battle’s confusion,
A home and a country, should leave us no more?
Their blood has washed out their foul footsteps’ pollution.
No refuge could save the hireling and slave
From the terror of flight, or the gloom of the grave:
And the star-spangled banner in triumph doth wave,
O’er the land of the free and the home of the brave.
O! thus be it ever, when freemen shall stand
Between their loved home and the war’s desolation.
Blest with vict’ry and peace, may the Heav’n rescued land
Praise the Power that hath made and preserved us a nation!
Then conquer we must, when our cause it is just,
And this be our motto: “In God is our trust.”
And the star-spangled banner in triumph shall wave
O’er the land of the free and the home of the brave
My new apartment is in the attic of Jim and Megan’s house. It’s a big old one-roomer with a mind of its own - a cacophony of lines that occur at approximately 45 to 90 degree angles, with floors that sort of redefine “level.” This attic has it’s own idea of what “square” means; its studs have their own interpretation of the classic 24 inch center. Its walls are loosely vertical and the whole thing is about two weeks away from being much more than a lot of potential. Right now it is resistant to change - openly hostile to my ideas of what it ought to be. But slowly, surely, occasionally even patiently I am (with the help of some friends, a hammer, a saw, some nails and a wrecking bar) enlightening it, changing its self-concept, convincing it that it is not merely an ugly, old attic - it is a great space that I would like to inhabit and be on friendly terms with - a space full of promise and beauty and order and life.
I suspect that is wants to cooperate, but it’s hard and I must be patient. Whoever it was that shaped the attic before me did so with some pretty big nails, deep cuts, hard hammers and rough saws. They considered the attic to be wasted space, storage space - a distance between the roof and the ceiling - a buffer zone and not much else. Someone else came along and closed it in for a smoking room; a place for those ignoble activities that would be inappropriate in the “house proper.” They slopped the walls with cheap, nasty paneling and put in a bathroom, covered the floors with ugly carpet and stunk it up with a tobacco habit.
Sometimes in the heat of the toil of my labor I give in to fits of selfish rage - frustration more over my lack of skill than over my apartment’s progress. But late at night when I look over the piles of dust and dry wall and knee-deep debris that remain during this reconstructive effort, I am strangely moved by the place and I proclaim the gospel to it softly. I say, “I know how it hurts to be torn up. I am often choked on the litter left by my own remodeling. I know what it’s like to settle (by the grave act of a strong will) into the despair of believing that you are wasted space. I have felt the blows of heavy hammers that nailed me to a sense of uselessness. I have been shaped by some pretty careless workers who came to the task of making me and lacked any craftsmanship or artistry. I know the pain of wanting to be changed and yet being distrustful of changes, of wanting to be worked on, but being suspicious of the intentions of the Worker. But here is some good news: He who began a good work in you will carry it on to completion until the day of Christ Jesus. However messy it may be now, however confusing and scary it appears, however endless the task may seem, we will some day be glorious, beautiful, alive! There is much tearing out to do - a lot to give up. No thin coat of new paint, no shallow, petty piety will do. It’s not good enough to cover up imperfection, it must be corrected. Art, beauty, function - these things take time. They may take till the day of Christ Jesus.”
But we are not wasted space, we are temples of a Being greater than ourselves, temples being built to be inhabited and brought to life. Though we may not understand the process, our Rebuilder does. We are His workmanship and the place where He lives.
Little attic, do not despair! I’m being made by a Master Carpenter. I’m learning a little about building too.
| — | “Elwood P. Dowd” (Jimmy Stewart) - Harvey (1950) |
| — | Jefferson Smith in Mr. Smith Goes to Washington (via classicmoviehub) |




